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Outcomes: what a pitch turned into

Recording what a pitch turned into is a press on the lead itself. Every Library card and every finished pitch carries a badge: it reads What happened? until you set it, and the state afterwards. Press it and pick: a stage off a short ladder (found the right contact, had a meeting, closed the deal) or how it ended (went quiet, not a fit, lost). Nothing to navigate to, nothing to type twice.

Low friction is the whole design, because this is the record that makes the studio better and it is the one most easily skipped.

Bring in the deals you won

The fastest way to fill this record is the deals you have already won. Open Outcomes with nothing on it and the one button is Bring in your won deals: with a CRM connected it asks one question (which stage, status or list means won in your CRM), reads every deal there, and puts each one on record as Closed the deal with the notes your team kept on it. With no CRM connected the button is Connect your CRM, and takes you to Connectors. Or add them yourself opens the box below, and Upload a list of won deals takes a file: the company, its website, and what happened, one deal per line. A header row names the columns (company, website, notes), so an export out of a CRM works as it is and the columns can sit in any order. Once anything is on record the button is one line above the box.

What comes across, and what does not:

A read is the workspace owner's, because it uses the CRM key. An upload is anyone's. Twenty-five deals per read, with the real number said when there are more; the next read takes the next ones.

Any company, found here or not. Open Outcomes, type the company, and say what happened: a reply, a meeting, a win, a loss. It does not have to be a lead the studio found. An inbound call that closed, a referral, a deal your team brought in themselves: record it, and the next pitch is written with it in mind. The screen asks one thing at a time. The company box first; once it holds a name, one row of six chips asks what happened, with the chip for where the company stands today already marked, so picking another one records a move. The note box under it takes their reply, your notes or a transcript as they are, and one Save it records all of it. Every company on record is listed below; press a row to open it.

What the studio would write differently now

Recording outcomes makes the next run better, and until now you only got that benefit on the companies you happened to run again. The screen now says which ones those are.

A company appears here when two things are true: you recorded it as having gone quiet or been lost, and you have taught the studio at least three things since that day. Those three can be outcomes you recorded on other companies or deliverables you edited and saved, because both ride every run. The line says which, and how many.

The claim is deliberately narrow. It says a pitch written today would be different, not that it would be better, because different is what the record can prove and better is what your own judgment decides. Press Pitch again and the company goes into a fresh run with everything you have recorded since. Nothing starts on its own; a run costs money and the press is yours.

A company you marked not a fit never appears here. That was your judgment about the company rather than about the argument, and a fresh pitch is not the remedy for it.

And once a week it can come to you instead. The same list arrives as an email, at most weekly, and only in a week where something has actually gone stale. A quiet week sends nothing at all. It goes to everyone on the workspace, because any of you can act on it, and it carries a company name, how it ended and two counts: it never repeats your notes back at you. Turn it off from Workspace settings like any other mail about your work, or leave it on and keep using the screen. This one is off for everybody until we switch it on.

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