the second question

What to send

Knowing who to call was never the bottleneck. The afternoon goes on the deck, the emails, the proposal and the call sheet — written in your voice, about their business, with nothing made up. Prospektor drafts all of it in the same run that found them, and shows you where every claim came from.

Out of one run.

01

Your voice — learned from what you actually sent.

Edit a draft in the studio and save it. That edit becomes a brand-voice example, and future runs are written against it — tone and structure only, never the facts. A run picks up to eight of them, and it picks them for this target: the saved edits whose subject looks most like the company being pitched, with at least one example of each deliverable it has to write.

Nobody has to describe their tone of voice. You just edit, and it learns.

02

Grounded in what has already worked for you.

Record what happened — the meeting that landed, the objection that killed it, the deal that closed — and it is folded into every run after it. A pitch is not a fresh guess each time: it is written against your own outcomes, your proof points and your banned terms.

Which means run one hundred is better than run one, and the workspace that writes down what happened is the workspace that pulls ahead. This is the single highest-leverage thing a team does in here.

The studio gets better the more your team uses it. That is the whole design.

03

No invented numbers. Ever.

Numbers come from your brief or from a cited source. Anything else becomes a bracketed placeholder and is listed for you to fill — so a gap looks like a gap instead of a confident sentence you have to fact-check under time pressure.

Then it reads its own draft back before you ever see it: banned terms, unsourced claims, and any mention of a company the identity phase had already ruled out. What survives that read-back is what lands in your tab.

Every claim carries what was read. Provenance is never withheld.

04

It is a draft, and you are still the closer.

Every block is copyable and pencil-editable in place. Ask the studio where a claim came from, how to open the first call, what to say when the predicted objection lands — grounded in that pitch and your brief, and deliberately read-only, so editing stays with you.

Share a pitch with a link, print it, or hand it to a colleague. The edits you save on the way out are the same edits that teach the next run.

Minutes to a first draft. The judgement stays yours.

try it

Free tells you who to chase. Paid gives you what to send.

The scan is free and always will be — point it at your own site and see who it would hunt for you. Everything on this page starts when you do.

One price, the whole box →