Every screen has a real URL. When pointing someone somewhere, use these exact paths. A link opens the screen it names even when the opening questions are still unanswered; those wait for you on Getting started, never in front of somebody you sent somewhere.
| Screen | Path | What it does |
|---|---|---|
| For you | /leads | Companies the studio proposes pitching next, one card at a time, plus tiles for Call prep and Inbound prospecting |
| A warm introduction | /intro | Two directions, and you pick one. Someone to introduce me: name a company, and the studio maps your network against them: who could open the door, why, the tie verified against a page it read, and two drafts for the best path (the ask you send your contact, and the finished email for them to send on). Someone worth meeting, for a contact: name somebody you already know, and it says who else in your network they should meet, what each side gets, and a double opt-in note. If you have not brought in your network yet, the screen asks for that first and nothing else: an introduction runs through somebody you know, so there is nothing to search until it is there |
| Lookalikes | /lookalikes | Name customers you already have; the studio finds more companies like them and puts them on For you |
| Your agents | /agents | Describe what you want done, in one sentence, and the studio builds the agent that does it. It picks the door (find leads, lookalikes, a glance, a pitch, decision-makers, a competitor report, or a standing watch on one rival) and fills in what that door needs from your brief. A watch reports what that company publicly did since the last look, each move dated, sourced, and with one line on what to do about it. The agent is kept, so next time it is one press, and a sentence that says how often ("every Monday") makes it standing, running itself until you press Stop. When a sentence names something the studio cannot do yet, it says so instead of doing the nearest thing |
| New pitch | /pitch/new | The form: company name or domain, optional contact, motion and value angle from your workspace's own vocabulary; ⚡ Beast Mode at its foot for a whole list |
| Running | /running | Runs in flight; Watch drops into the live terminal; a stuck run can be dismissed, a live one stopped |
| Getting started (home) | /start | Where signing in lands you. Step 1, Customize your workspace: run a pitch, fix a line you would never send, say what happened. Only the step you are on shows its button; the others are a line each, and the number in the sidebar is how many are left. Step 2, What can we prospekt for you today? Six cards, one press each: companies to pitch, one company you name, a competitor's clients, lookalikes of your customers, who to contact, and a sheet before a call. Once step 1 is done it goes away and the six cards are the whole screen, with one of them recommended. The one-minute tour is at the foot |
| Library | /library | Saved pitches as cards, sortable, with unread markers; press a card to open it, its badge to record what happened, and its ⋯ menu for Call prep |
| A pitch | /pitches/<id> | One run: live while it works, the finished pitch after |
| What happened | /outcomes | The full history for every prospect: notes, the timeline, and "Make sense of this", which reads a record back. On the sidebar under Teach Prospektor, because what you record here is what every later pitch is written from. Recording an outcome does not need this screen: that is a press on the lead itself |
| Counterprospekt | /competitors | Opens on the companies we think compete for your customers, each with the one line saying why and one press to research them properly. Under that: name a competitor yourself, then the reports you have run and where you stand across all of them, then the first page of search results for what your buyers type and where you sit on it. The two lists differ on purpose: search finds who a buyer meets, the top block finds who competes for the same deal, and a company can be one without being the other. A report gives what they sell, how they position themselves, who they sell to, and a sourced list of their clients, each client a one-press pitch of your own |
| A competitor report | /competitors/<id> | One report: live while it researches, the finished report after. Three lines that take your side (their strength · their weakness · how we win), four cards of three bullets each (they sell · their positioning · their customers · our read), then their clients as your prospect list; re-run it any time, or remove a company that turned out not to be a competitor |
| Call prep | /prep | One sheet for a specific upcoming call: goal, framing, talking points, the likely objection with an answer |
| Evaluate inbound | /evaluate | Paste outreach somebody sent you, get an honest take-the-call-or-skip-it with reasons |
| Your network | /network | Import who the team knows (LinkedIn export or pasted list): the raw material for warm paths |
| Suppress list | /suppress | The brief’s second tab: companies and people this workspace will never approach, plus the standing rules that rule out the rest |
| Who we hunt | /settings/hunt | Everything that decides which companies reach you: what you are looking for, where and how big, the market around you, what you have told the studio to keep looking for, what you have corrected it on, and what it must never bring back |
| Your brief | /settings/brief | The brief every deliverable is written from (facts, voice, guardrails, banned terms) with one question to answer beneath it, and the rest folded at the foot |
| Your account | /settings/account | Yours rather than the workspace's: passkeys, recovery phone, which emails the studio sends you and how else it may reach you |
| Workspace settings | /settings/workspace | Cards, nothing folded: Workspace (name, website, the language the studio writes in, whose studio this is), Access (who can sign in, and your own role), Brand (colours, then the deliverable stylesheet), Sharing (every link the team has sent, and Revoke), API (tokens, and the apps connected to this workspace), Slack (the channel finished work lands in), Plan (pause or cancel) and Danger zone. API and Slack are the owner's alone and are absent for everybody else. The old /shares address opens it |
| Upgrade | /upgrade | Free workspaces only: what your one full pitch bought, and the way to the rest of your list. Your brief, pitch and leads stay readable behind it |
| Who opens which door | /paths | Agencies only: one console across every client workspace you hold. It reads your network against every company those workspaces are working on (their suggestions as well as their finished pitches) and ranks the doors, best first. Somebody who works at the company beats somebody whose note mentions it, whatever else you know about them. Free to open and no research runs: pressing a row switches you into that client's workspace and opens the introduction ask there, so the drafts come out in their voice. Reached from Your network |
| Portfolio uploads | /portfolio | Agencies only: how your last portfolio upload is going, and the ones before it |
The sidebar carries fourteen of them: Getting started on its own at the top, then Leads (For you, New pitch, Your agents, Running, Library, Counterprospekt), Meetings (Call prep, Evaluate inbound) and Teach Prospektor (Who we hunt, Your brief, Your network, What happened, Settings). Your account is in the workspace menu at the sidebar's head, not on the sidebar; those settings are yours and follow you into every workspace you belong to.
Three screens are reached from inside another rather than from the sidebar, because that is where you are when you want them. Lookalikes is a card on Getting started, and a tile on For you beside Custom pitch. The Suppress list is the second tab on Your brief; the brief says what this workspace hunts for and the suppress list says what it never hunts. Sharing is a card on Settings.
Who opens which door reads only the workspaces you can already open. It is your own memberships intersected with the workspaces you created, so a client who has since removed you, or one you detached, is not on it. It maps your network down to their companies and never reads their network back up.
A warm introduction used to be a panel you could only reach on a finished pitch. It still appears there (a pitch you have already run shows its paths without being asked) but the screen above is the way in when you have not run one, and it is the only place the second direction lives.
Who to contact is the one card that borrows a screen. It opens New pitch with one line saying what the press will do, and the button reads Find the people rather than Glance: same field, different verb. Coming to New pitch any other way gives you the ordinary form back.
Three old addresses still work: / opens Getting started, /settings opens Your brief, and /shares opens Settings.
Counterprospekt deserves one more sentence, because its rule is strict: a report names a company as the competitor's client only when a page the run actually read says so, and every entry links that page. A claimed client without a source is left out and counted, never shown. The competitors you named at onboarding sit under the box as chips; one tap runs that report, and the box is for anyone else. Finished reports also appear in the Library, and a company on your suppress list can still be analyzed (the list says who not to approach) so a suppressed company in their client list simply gets no pitch button.
What a report says
A finished report opens on three lines that take your side (their strength, their weakness, and how we win) then four cards of at most three one-line bullets each (they sell · their positioning · their customers · our read), then their clients as your prospect list.
How we win is the one line no competitor's website could ever answer: it is written from your brief, pointed at the weakness above it. If your brief does not yet say enough for the studio to name a real edge, that line comes back as a bracketed gap rather than a slogan; brackets are always work still owed, never an answer. Filling in more of your brief is what turns it into a sentence you can use.
Reports run before this existed have no three lines and are not re-run for them; run the report again if you want them.
Where you stand
Once you hold two or more competitor reports, the screen says where you stand across all of them, above the list they are drawn from: the one thing none of them has, then where you win and where they beat you, at most three one-line bullets each.
Four things worth knowing:
- It reads your reports, not the web. It is a cross-reading of the three lines each report already carries, so it can tell you nothing a report did not already find, and it costs no new research.
- It updates when the set changes, not on a clock: research another competitor, or remove one, and it is drawn again. Add nothing and it stays as it was.
- A competitor you removed is left out of it, which is the point of removing one.
- Where they beat you is honest on purpose. A comparison you win everywhere is one nobody can act on.
Likely competitors
The screen opens on the first page of search results for the phrase your buyers would type (a peptides wholesaler lands on "buy peptides online") and says where you sit on it: "You are 7th", or that you are not on the first page at all. Every business on that page is one tap from its own competitor report; a business you have already reported on links that report instead.
Four things worth knowing about it:
- It is a live web search, not a tracked Google position. The number is where a result came back on that run. It moves, and it is not measured from any one country.
- Half a first page is usually not a company. Listicles, forums, directories and news pieces are listed where they came back and never offered as something to research.
- The phrase is a guess, and it is yours to change. Search a different phrase re-runs the reading on whatever you type.
- It refreshes itself weekly. An older reading is drawn straight away and a fresh one is fetched behind it, so the screen never makes you wait to be told the same ten companies.
The workspace switcher sits at the sidebar's head: click your workspace name to switch workspaces, set Appearance (light / dark / system), create a client workspace or upload a whole portfolio of them (agencies), or sign out. An agency workspace is tagged (Agency) in that list with its client workspaces indented under it. Support sits at the sidebar's foot, next to who you are signed in as. On a narrow window the sidebar collapses to its icons.